I really like this album; the music has a modern big band sound with heart and the lyrics say something (although what is not necessarily always apparent to this reviewer). Beside the classic big band swing, there are samples, a strong hint of the classical musicals as well as more modern takes on these – there are similarities with Barry Adamson (a favourite in this house) as well as some of Björk’s work.
Having listened a few times without reading the sleeve or the bumf, it is good that the medium used for the message holds its own. If you’re writing a political essay, it helps if the writing is good; if you’re presenting politics via music it really helps if the music is good – and this CD manages that with spades.
So I was ready to give a glowing review, given the excellent music with its heart and head seemingly functioning well together. But, as a review copy, it was unfortunately accompanied by some marketing bumf or press release which really stuck in the throat. It explains the themes as being about power and its abuses, tackling the Iraq war, torture, Guantánamo, Palestine, AIDS, climate change, the monarchy and religion (pretty ambitious in 12 tracks). Nor is the implication that “music” (not musicians, interestingly) is apolitical or, more likely, directly explicitly and implicitly supportive of the rampages of the current political and economic structures, too much of a problem for a reviewer in DA.
However, in other places the content is pretty conceited and really does seem from another world. The idea that the album “redefines the role of music in politics and fuels political debate in a way unique to the usual outlets of journalism, print or film” would make sense if it were true. For a start, popular artists frequently invoke politics, admittedly often in trite and ill judged ways, but not always. Also, I can think of numerous examples of active and overtly political musicians working in the margins as well as a few fairly successful acts who’ve taken overt, progressive politics into the mass market. Did the person who came up with:
This album is one of courage and conviction. It will directly politicise a largely inert audience
actually believe it at the time? If so, how? If I were to play this to my self-proclaimed politically uninterested work mates, would the passion of the creators flow through them? The lyrics do not seem clear enough to effect any such clear Damascus-type conversion.
So, this is a great album of music, and the fact it has an agenda is to be welcomed. But if you decide to check it out – and by all means you should – if you end up with the press release, just bung it in the recycling and listen unhindered.
www.accidentalrecords.com
www.myspace.com/matthewherbert
There’s me and there’s you (Matthew Herbert Big Band)
CD – Accidental Records 2008